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I was 14 when I first read Neuromancer, one of the first generation to grow up hooked in to the computer-generated realities that Gibson so presciently explores.For me and for millions of others who live in the modern reality of computers and the internet, William Gibson's imagined future is closer to the truth of now than any work of realist literature.While not as evidently prescient as Huxley or Orwell, Zamyatin explores a potential extrapolation of the Soviet ideal.Some may call it a reductio ad absurdum but ultimately it highlights the dangers of the worship of technology, the establishment of systems and rules and progress - while it is full of allusions to the early Soviet state, it has a universal message which is certainly interesting - furthermore, its relatively inconclusive ending evades traditional dystopian SF tropes of the revolution or regime change per se.War as a constant theme, messed up with embryonic sleeps through hyper speed jumps across the universe, to fight in a ship that is now 10 years out of date.Multi-platform emotional relationships and an unknown foe. The aliens will need to know what humanity was like (even if only to recreate us as a digital slave race in their virtual reality matrix), and if any single author grasps the state of our technological society today it is William Gibson.A challenging and interesting book best read with some understanding of the culture within which it was written (although the film adaptation is also of high quality).This book features on every 'Best of' list at some time or other and there's a good reason: it is a hilariously perfect and lovingly absurd journey of a simple human being through the wild riot that is existence.
Hopefully someone else can do more justice to it in their recommendation, but all I can say is you come away from it with a different perspective on the universe. Sure, it deals with complex mathematical concepts, the far-future evolution of humanity..it does so in a poetic, mythic way. This is a SF Odyssey, it is Homeric in its ambition, and it has quite the most beautiful prose I have ever read in a SF novel. The characters are nicely fitted into stereotypes and work well together and the stories are outlandish enough to keep interest but they're not too much. Deranged paranoia, mind-bending ideas and lots of humour.Iain M Banks, Alastair Reynolds), but was arguably the first novel to imagine a plausible posthuman solar system, riven by ideologies and wild economics, teeming with conflict and graft, and packed with moments of pure sensawunda.Best of all, apart from the handful of short stories set in the same fictional universe, Sterling never felt the need to cash in on the critical success of Schismatrix with sequels; the end result is a novel that still reads as fresh and powerful to this day, more than a quarter of a century after its initial publication.One of the most visionary, ambitious and influential explorations of the universe ever committed to paper, Stapledon's novel elevates SF to the level of a sacred text. The story is rich and satisfying in every detail, the characters are unforgettable, and the language is so good that you want to read every sentence twice.
I always keep an extra copy in the house, because when it gets borrowed, it tends never to come back (but that's OK).Put very simply he recognises that when something or anything is looked at more closely reality and consciousness will change ultimately meaning that both are unstable.